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“La Belle Noiseuse” (Jacques Rivette, 1991) Jacques Rivette’s four-hour masterpiece about the act of artistic generation turns the male gaze back on itself. True, it’s hard to think of the actress who’s needed to be naked onscreen for your longer period of time in a single movie than Emmanuelle Beart is in this one particular.
“Ratcatcher” centers around a 12-year-previous boy living during the harsh slums of Glasgow, a placing frighteningly rendered by Ramsay’s stunning images that pressure your eyes to stare long and hard on the realities of poverty. The boy escapes his depressed world by creating his possess down with the canal, and his encounters with two pivotal figures (a love interest plus a friend) teach him just how beauty can exist within the harshest surroundings.
“Hyenas” is among the great adaptations in the ‘90s, a transplantation of a Swiss playwright’s post-World War II story of how a Group could fall into fascism as a parable of globalization: like so many Western companies throughout Africa, Linguere has offered some material comforts for the people of Colobane while ruining their economic climate, shuttering their industry, and making the people completely depending on them.
The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost in the forest. Our disbelief was successfully suppressed by a DYI aesthetic that interspersed small-quality video with 16mm testimonials, each giving validity into the nonfiction concept in their possess way.
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the tip credits gag reel (which mines “Jackass”-degree laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan set himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble from the Bronx” there was no turning back. —DE
Oh, and blink and you also won’t miss legendary dancer and actress Ann Miller in her final huge-display performance.
The ingloriousness of war, and the basis of pain that would be passed down the generations like a cursed heirloom, may be seen even during the most unadorned of images. Devoid of even the tiniest bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity inside a long career that has alway looked at us askance. —LL
gained the Best Picture Oscar in 2017, it signaled a different age for LGBTQ movies. During the aftermath in the surprise Oscar get, LGBTQ stories became more complex, and representation more diverse. Now, gay characters pop up as ashemale leads in movies where their sexual orientation is actually a matter of truth, not plot, and Hollywood is adding for the conversation around LGBTQ’s meaning, with all its nuances.
Just one night, the good Dr. Bill Harford would be the same toothy and self-assured Tom Cruise who’d become the face of Hollywood itself within the ’90s. The next, he’s fighting back flop sweat as he gets lost during the liminal spaces that he used to stride right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers as well as sinister ultra-rich they serve (masters of your universe who’ve fetishized their role within our plutocracy to the point where they can’t even throw a simple orgy without turning it into a semi-ridiculous xxnx tv “Slumber No More,” or get themselves off without putting the worry of God into an uninvited guest).
this fantastical take on Elton John’s story doesn’t straight-clean its subject’s intercourse life. Pair it with 1998’s Velvet Goldmine
Pissed off from the interminable post-production of “Ashes of Time” and itching to get out on the enhancing room, Wong Kar-wai strike the streets of Hong Kong and — in a very bangla sex video blitz of pent-up creative imagination — slapped together one of several most earth-shaking films of its ten years in less than two months.
was praised by critics and received Oscar nominations for its leading ladies Cate Blanchett and Rooney Mara, so it’s not precisely underappreciated. Still, for the many plaudits, this lush, lovely period lesbian romance doesn’t receive the credit it deserves for presenting such a dead-exact depiction of your power balance inside a queer relationship between two women at wildly different stages in life, a theme revisited by Kate Winslet and huge tits Saoirse Ronan in 2020’s Ammonite.
With his 3rd feature, the young Tarantino proved that he doesn’t need any gimmicks to tell a killer story, turning Elmore Leonard’s “Rum Punch” into a tight thriller anchored by tnaflix a career-best performance from the legendary Pam Grier. While the film never tries to hide The very fact that it owes as much to Tarantino’s love for Blaxploitation as it does to his affection for Leonard’s resource novel, Grier’s nuanced performance allows her to show off a softer side that went criminally underused during her pimp-killing heyday.
, future Golden Globe winner Josh O’Connor floored critics with his performance as a young gay sheep farmer in Yorkshire, England, who’s struggling with his sexuality and budding feelings for just a new Romanian migrant laborer.